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Lo real y lo posible X | Fernanda Aránguiz

 

This work was made after my attendance at the Place, People and Time residency. In this case, I worked
with writing as an act and a space for creation, not just a way to communicate a specific message to a
reader, and the idea that the meaning of writing doesn’t just come from its significance, but also from its
form. So I reproduced the notebook I carried along during the residency by transcribing by hand all the
parts of my writing that wasn’t letters or words. In the end, whatever it is we are seeing there, we can still
read something there –and so it happens everywhere.

 

 

$150,000 Pesos chilenos (CLP)

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Additional information
Weight 0.1 kg
Dimensions 21 × 15 × 1 cm
Language

Spanish
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About the author

About the author

Fernanda Aránguiz M. (1989), visual artist who writes and makes books.
Bachelor in Art from the Universidad Católica de Chile (2014), where she worked as a teaching assistant in artwork creation and production workshops.
Since 2013 she has participated in national exhibitions, including the solo show Qualia: diccionario de ocupación [Qualia: dictionary of occupation] in 2016 and the collectives ¿Qué es un libro? [What is a book?] in 2015 and Editar el acontecimiento [To edit occurrence] in 2014.
Her recent publications include Ñamen. Desaparecer, venir en olvido (Euonia, 2018), Some day in life (2018), 11 Simon-Crubellier (2016) and the 2nd edition of La nada o el Infinito [Nothing and Infinite] (Naranja Publicaciones, 2017), which is now part of the Artists’ Books and Editions Collection of Fundación Serralves (Porto, Portugal) and the Joan Flasch Artists’ Book Collection (Chicago, USA).

This work was made after my attendance at the Place, People and Time residency. In this case, I worked with writing as an act and a space for creation, not just a way to communicate a specific message to a reader, and the idea that the meaning of writing doesn’t just come from its significance, but also from its form. So I reproduced the notebook I carried along during the residency by transcribing by hand all the parts of my writing that wasn’t letters or words. In the end, whatever it is we are seeing there, we can still
read something there –and so it happens everywhere.

Technical Specifications

Author: Fernanda Aránguiz

Format: Handwriting transcription, square binding.

Publisher: Self-publication

Dimensions: 21 x 14,8 cm closed

Print run: 5 numbered copies

Language: spanish

Collections: –

Year of publication: 2019

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